Wednesday, April 11, 2007

NINE-EYE STONES Cash Used in Ancient Tibet

In the Tibetan history, the Nine-Eye Stone was used as currency in trading. Larger ones with beautiful shape, strange eyes and pretty and meaningful patterns served as high units ranging from 10,000 or 1,000 or 100, while small ones with simple shapes or patterns were denominated in what we would now call cents. The Nine-Eye Stone has, since ancient times, been collected by nobles, merchants and curio lovers as it was 'minted' using melted gems, showing that melting technology was advanced in Tibet then. However, due to fighting among Buddhist sects, such gem melting and Nine-Eye Stone minting technology got lost. This is why people today cannot explain the source of the Nine-Eye Stone and, as a result, has been encouraged to add mysterious color to it, to the effect that it came from the heaven.
 

Nine-eye stones and red agate loved by Kamba men
 


The Nine-Eye Stone was used as currency in Tibet some 4,000 years ago. Although it comes of varied sizes, it assumed one of two shapes-bars and balls. Each has holes which Tibetans call eyes to tie threads.

The bar-shaped stone has eyes numbering from 1 to 18. As 5,7 and 9 are considered lucky figures, stones with 5,7 and 9 eyes are high in value. Stones with a odd number have higher value higher than those with an even number.

The bar-shaped stone comes in varied sizes, with the longest being 8 cm long and laving a diameter of 1 cm. It is thick in the middle and thin at both ends, looking like a spindle. Each bears patterns of treasure bottles and Tibetan letters. Most of the patterns are symmetrical colored black, light red, white and brown.

The ball-shaped stone is complete with patterns of lotus flower, rainbow, cage or teeth of tigers.

Like natural gems such as diamond, ruby and emerald, the Nine-Eye Stone is among those commanding the highest value. In addition, such a stone is hard and bears fine patterns, and can be found almost only in the areas inhabited by the Tibetans.

Although no book in Tibet recorded how the Nine-Eye Stone was created, it was mentioned in many works, including history books, biographies and novels. For example, Ode to Treasures in King Gesar, the longest epic in the world, is devoted to it.
 
 

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Monday, April 09, 2007

Gesar stone carvings in Moska - eYongs ethnical jewelry

During the May Day of 2002, Li Xingxing, an associate research fellow of the Nationality Research Institute of Sichuan Province, a cameraman of the production team of a certain TV station of Sichuan, a number of teachers and students of Southwest Jiaotong University Architecture College and I, went to Dainba County for an inspection related to the application for world cultural relic status for Zhonglu, the pillboxes in Sobo Tibetan Village. When the job was nearly done, Luo Shunfang, Director of Dainba County Cultural and Tourist Bureau, said 'There are some inscribed stones in Moska, a pastoral village of Daindong Township. Related to King Gesar. It is said there is a living area of herders called'Pocket Castle' in Moska.'

 
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Sunday, March 18, 2007

Chinese Painting, Connotations beyond Description

Compared with western paintings, traditional Chinese painting has its own obvious characteristics. Traditional Chinese painting emphasizes on "the spirit delivery through form" and pursues the feeling of "wonder lies in the similarity and dissimilarity". According to the artistic techniques, traditional Chinese paintings have three techniques: meticulous, freehand and combination of the former two. Meticulous painting is characterized by detailed and fine brushwork; freehand painting is marked by the freehand brushwork. Meticulous painting focuses on beautiful lines and fine works; completely opposite to meticulous painting, ignoring lines and paying special attention to the theme, freehand painting needs high generalization ability. It aims at reflecting the theme with fewer drawings. The brushwork should be accurate, familiar and skillful, so that the theme can be reflected in the brushwork. The combinational of meticulous and freehand painting is the comprehensive application of the two techniques. 

Since traditional Chinese painting and calligraphy have much in common in tools and brushes, they are closely related to each other. The ancient people had already had the theory of "painting and calligraphy share the same origin". When scholar artists were dominant in Yuan Dynasty, they also believed the concept that painting and calligraphy shared the same origin and advocated study painting by starting from calligraphy. The relationship between poem and painting formed with the gradually increasing influence of literature upon painting. The melting of poem and painting was guided by scholars and officials, which also affected the art academy. Emperor Huizong of the Song Dynasty once tested the artist with poems to see whether the artist could describe the wonderful artistic conception in the poems.
 
 

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Tuesday, October 31, 2006

Chinese Painting, Connotations beyond Description

Traditional Chinese painting has a long history. Generally speaking, works before Tang Dynasty mainly focus on the reflection of people's activities, forming a prime time of figure painting. In the middle of Tang Dynasty, paintings in landscape and flower & bird began to be popular. Works with the theme of forest and rural area can free you from the hustle and bustle of the world and enable you to enter a peaceful land, so landscape painting is favored by scholars and officials. Flowers, plants, stones, birds and beasts in the paintings are living creatures in the mountains, full of vitality and also attractive to many people. Therefore, paintings of landscape and flower & bird started to be popular after figure painting. The three kinds of paintings form the three main categories of traditional Chinese painting.  

The emperors and aristocrats of Tang and Song Dynasties are the important painting supporters, so the art developed in such an environment had very serious political meaning with its style tending to be magnificent. In Song Dynasty, there was art academy with complete systems in the palace. Esp. Emperor Huizong, who was good at painting, treated artists very well. He also set up organizations to cultivate talents. So the activities of art academy reached the zenith during this period.
 
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Monday, October 23, 2006

Chinese Painting, Connotations beyond Description

Traditional Chinese painting is a unique art in world art field. It adopts special brush and paper as tools, painting ink as paint, using wonderful expressional methods according to Chinese aesthetic habits...

Traditional Chinese painting is a unique art in world art field. It adopts special brush and paper as tools, painting ink as paint, using wonderful expressional methods according to Chinese aesthetic habits. Traditional Chinese painting has long history and excellent traditions, which forms its own unique system in world art field. It is an important part of our country's traditional culture as well as the precious treasure of Chinese people.

Tuesday, August 29, 2006

Modern Sculpture

Modern Sculpture

Chinese sculpture has experienced further development since the Revolution of 1911. Its dissemination and promotion achieved prominent progress.
 
After the 20th Century, Chinese traditional religious sculpture was on the wane. Though the small folk sculpture was still very flourish, it failed to be the mainstream. During the years around the Revolution of 1911, some young people went to Britain, America, Japan and other foreign countries to learn sculpture. During the period between the May 4th Movement (1919) and the 1930s, many young artists went to foreign countries such as Canada, France, Japan and Belgium learning sculpture. After returning home, they held several sculpture exhibitions, which greatly promoted the development of Chinese on-the-shelf sculpture. Most of them, who devoted themselves to art education, became pioneers of Chinese modern sculpture. Sculpture education in Chinese academy of fine arts began in 1920 when Sculpture Department was established in Shanghai Academy of Fine Arts, followed by Hangzhou Academy of Fine Arts and Beiping Academy of Fine Arts, etc. Some large creations include statues in memory of Sun Yat-Sen and other republic revolutionists, as well as monument to heroes in War of Resistance Against Japanese Aggression (1937-1945), and so on. Sculpture art has greatly developed since the establishment of People's Republic of China. Sculpture Department was common in art colleges and students, including graduates, were sent to the Soviet Union to study sculpture.
 

Tuesday, August 22, 2006

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Friday, August 18, 2006

Chinese Wedding Decorations

Chinese Wedding Decorations
Flavor your wedding decorations with Chinese red. Check out how to infuse your nuptials with this breathtaking contrast to our pure Western white. Chinese Wedding Decorations

Double Happiness
This Chinese symbol of two xi characters placed together represents ultimate joy and is used mainly for weddings. From Chinatowns or Chinese specialty stores you can get wedding decorations of all kinds emblazoned with this symbol, from cutouts and stationery to giant flags and red scarves. You can fly beautiful silk scarves at your reception, or print the Double Happiness character on your placecards.

Phoenix and Dragon Motif
Add the wingless dragon and shining Phoenix to your decor to represent groom and bride. If you don't wish to work these designs into your own bridal attire , add these characters to attendants' clothing (vests for groomsmen or flowing Cheongsams for bridesmaids), invitations, favors, or decorations for Chinese flair.

Chinese Guestbook
This Chinese witnessing tradition makes a beautiful addition to your ceremony's decor: instead of a traditional guestbook, purchase a large red square of lightweight silk and a brushpen and ink (cloths featuring dragon and phoenix motifs can be purchased at Chinese specialty stores). Have guests sign this cloth "guestbook" for a keepsake to last a lifetime.

All Things Red
Instead of chilly, innocent white, add decorations full of bold and joyful red. Tie red ribbons to pews and chairbacks. Create red centerpieces full of Chinese flowers such as peonies and lotus. Go for red table linens instead of white, or serve champagne in cherry-red flutes.

 

Thursday, August 17, 2006

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Friday, August 04, 2006

Cheongsam

Cheongsam

Cheongsam were the formal dress for Chinese men before Western-style suits became common in China; they are not often worn today, except during traditional Chinese celebrations or as stylish party dresses. Cheongsam

Kimono

Kimono

Kimono in Japanese simply means clothing. Since 19 century, western styles have been the main dress code in Japan. But kimono still plays a role in Japanese culture, mostly worn on special occasions. Kimono

Asian Jewelry

Asian Jewelry

Collections of Chinese Jewelry, Japanese Jewelry,Jade Jewelry,and Hand-made Thai Jewelry. Asian Jewelry